JAGTIV · Previous Year Questions

UPSC

HISTORY · 2013

Previous Year Question

In the context of cultural history of India, a pose in dance and dramatics called ‘Tribhanga’ has been a favourite of Indian artists from ancient times till today. Which one of the following statements best describes this pose?

A.
One leg is bent and the body is slightly but, oppositely curved at waist and neck.
B.
Facial expressions, hand gestures and make-up are combined to symbolise certain epic or historic characters.
C.
Movements of body, face and hands are used to express oneself or to tell a story.
D.
A little smile, slightly curved waist and certain hand gestures are emphasised to express the feelings of love or eroticism.

Correct Answer: A

Detailed Solution

The term Tribhanga is derived from tri, meaning three, and bhanga, meaning a bend or deflection. It is a distinctive standing posture used in Indian dance and sculpture.

Its principal features are:

  • The body forms three major bends at the neck, waist and knee.

  • The body’s weight generally rests on one leg, while the other leg is bent or relaxed.

  • The head and lower limbs are angled in one direction, while the torso moves in the opposite direction.

  • These opposing curves give the body a gentle “S-shaped” appearance.

  • The posture produces an impression of rhythm, movement, fluidity and grace even in a stationary figure.

Uses of Tribhanga:

  • It is one of the most recognisable basic postures of Odissi dance.

  • In Indian sculpture, deities, yakshis, shalabhanjikas and female figures have been represented in this posture.

  • Krishna playing the flute is also frequently depicted in the Tribhanga posture.

  • Different forms of this posture can be observed in the art of Bharhut, Sanchi, Ajanta, Khajuraho and the Hoysala temples.

Why are the other options incorrect?

  • Option (b) describes the broader dramatic process of representing a character through facial expression, hand gestures and costume; it does not define a particular bodily posture.

  • Option (c) describes the general use of bodily and facial movements for expression and storytelling in dance and drama.

  • Option (d) describes expressions associated with love and erotic sentiment but does not explain the structural characteristics of Tribhanga.

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